The practice of Fernando Marques Penteado (aka f.marquespenteado) is supported by a very well defined method that involves long processes and specific techniques thatare tenaciously operated. The artist has a work trajectory specially marked by embroidery, which ends up linking clothing accessories, books and found objects. And for an aesthetic choice, it combines autobiographical and historical matter in the linkof inventive literary creations. ​

Starting with in-depth research on the contribution of the textile universe to visualculture and the diffusion of knowledge, the artist elaborates narratives permeated by his own personal vocabulary, whose profoundness is articulated by playful undertonesthat constantly negotiate the meaning of things. In representations sewn by Fernando Marques Penteado, we are faced with common human relations and historical and semantic displacements. It is within these that topics such as sexuality, homoeroticism, gender and violence are considered from a perspective thatarticulates, in a very particular way, social critiques from domestic environments. ​

Selected solo exhibitions include Meet me at the finger buffet, Mendes Wood DM, Brussels (2020); rivieras___bags___ scarves___alps, Mendes Wood DM, São Paulo (2018); Guess Who’s Coming to Dinner?, Freedman Fitzpatrick, Los Angeles (2017); UnknownSubjects Among Solitaires, Galeria Múrias Centeno, Lisbon (2016); Sentido Figurado, A CASA, Museu do Objeto Brasileiro, São Paulo (2014).  His work was most recentlyincluded in Dear Yves,, Ghent, Belgium (2022); ENTRETECIDO__INTERLACE, PavilhãoBranco, Lisbon (2021); Male Nudes: a salon from 1800 to 2021, Mendes Wood DM, SãoPaulo (2021); Five in Fives #1, Kunstverein Harburger Bahnhof, Hamburg (2019); SCHMALTZ, Guimarães, Vienna (2018); Dislexia, El Gran Vidrio, Córdoba (2018); Namedropping, JAN KAPS, Cologne (2017); Lyric on Battlefield, Gladstone Gallery, New York (2017); Odd Objects: an on proto-sculpture, Centro Internacional das Artes José de Guimarães, Guimarães, (2016); Unorthodox, Jewish Museum, New York (2015); 30a. Bienal de São Paulo, São Paulo (2012).