CIAO

Igniting a tension between humor and the political, Adriano Costa (1975, Brazil) exposes the nuances of the cultural value systems placed on objects. His works are not governed by specific rules or ideas, instead, they inhabit a realm of neutrality, incorporating disparate materials such as concrete, paper, bronze, cloth, wire, wood, and countless other detritus. 

Much more about reality through the use of tragic irony than about originality within the process of creation, Costa provokes a reflection on the real value of works of art, addressing the question of how ordinary materials or even noble materials can be transmuted in an art object and vice versa.